A percussive arpeggiator finds support from distant crashes and rises as a piercing cutoff synth pluck carries the lead melody. The album’s fourth single is also its strongest. Gorgeous and unconventional in both sound design and approach, this song exemplifies the best aspects of the double album. Panned analog toms set the stage for an overdriven bass to throb along with whispered voices and laidback piano until a decidedly real drum set kicks in. Amid resonant hits and shivering percussion, robotic breath intakes and glitched-out sounds herald the first disc’s most experimental offering. Hinting at the album’s darker output to come, pensive piano notes preface a downtempo broken beat that could almost come courtesy of Four Tet or Rockwell. The breakdown’s unsettling voice seeks to wake the listener before contemplative piano chords lead them back into dark techno rhythms and sporadic percussion. Replete with classic organ chords and energetic electro bass gurgles, this throwback progressive track is an instant earworm.Ī creeping modular synth progression teams with a foreboding low-voiced bass while a throbbing melodic hit ushers in a sonic fever dream. In case you forgot exactly why deadmau5 is such a potent producer, he included this friendly nine-minute reminder. A slowly expanding bass synth takes the fore until the lead resurfaces from the depths of a drone-driven breakdown. Just when the listener begins to get lost in the cinematic soundscape, deadmau5’s irreverence rears its head in the form of the song’s “fuck!” sample. Rumbling sub bass buoys a detuned analog lead and trademark layered organ chords. In retrospect, this track is an augury of the album’s overall approach. This remix is complex electronica that can be danced to, but it wasn’t specifically made for that purpose. Panned fuzz guitars drift from ear to ear in a lurching funky interplay between the song’s eclectic elements. “How to Destroy Angels” – Ice Age (deadmau5 Remix)Ī plucked bass line precedes immersive glitch work and thoughtful female vocals that carry the track’s lovely lead melody. Warm and labored organ chords introduce floating background synths that build tension as they ebb and eventually fade out. The album’s second track is the first in a series of tone-setting instrumental interludes. Its varied textures seem to mirror its creator’s own emotional and experiential extremes, from the thrill of the festival spotlight to the seclusion of the studio, where the alienation that accompanies a marquee artist’s lifestyle is only a few thoughts away.Īlthough “while (1<2)” is technically his seventh studio full-length, Zimmerman has hailed it as “the first album ever done that would even call an album.” Sprawling, ambitious and mostly well-executed, “while (1<2)” may confuse his fan base’s Ultra-attending electro house contingent, but deadmau5’s double album undoubtedly marks his most mature and forward-thinking release to date.Ī sprawling double album deserves an epic opener and deadmau5 delivers just that on lead single “Avaritia.” An ascendant lead synth melody is joined by a rumbling beat comprised of distorted dark bass hits and fresh percussion, recalling the stark minimalism of deadmau5’s “Random Album Title” output. The majestic 25-track effort veers from spirited progressive house and experimental electronica to tender piano interludes with surprising ease. While such melancholic moments do not define “while (1<2),” they purposefully interrupt it at times.
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